Now the X-Pro3 isn’t available yet, so maybe the profile will be adjusted before it hits the shelves-take these first tests with a large grain of salt. In the images below I see a softness in contrast on the JPEG (left side), as well as a slight orange tint, both of which are missing from the raw version which feels “harder”: Overall I’m just not seeing the same curve and colour rendition. So I used a couple of pictures to figure out how to replicate this correctly with the C1 toolset, saved this as my own RAW Classic Neg style, did a few A/B comparisons and I was off to the races.īottom line: it’s not bad.but it’s also not there yet imho. Then I remembered I’d used a custom camera preset, lowering both highlights and shadows to -2. But I WAS curious to see how well Capture One’s version of Classic Negative compared to the in-camera film simulation.įirst glance? Man, everything looked way off. Apart from a few cases where I’d pushed either ends a bit more than I should have during capture, I don’t see the point of reprocessing any of my selected images. Honestly, I like the Classic Negative JPEGs just fine. Thanks to a recent Capture One 12 update however, I’ve finally imported those raw versions into my catalog. But I still needed to provide those files to Fujifilm so I shot everything with the camera set to RAW+Fine. I couldn’t access the raw files during the time I had the X-Pro3-the camera was obviously not supported yet. Give it a try, you have nothing to lose.ĭo you use Capture One? If so, share your thoughts below.Note to self: try to use shorter titles (this looks ridiculous on smaller screens). Capture One have a generous 30 day trial of the software, which is time to get to grips with it and see what it can do. If you are thinking of moving from Lightroom, I would say give it a go. Obviously I am not privy to why, but I am sure they have their reasons. You used to be able to easily find a 10% voucher, but since the end of 2018, Capture One seem to have cut them. Capture One have also ceased their discount codes, which again seems to be a little harsh. There are many reports of version 11 working fine in Mojave, but as a professional, I cannot risk it. If the answer is yes, then you really do need to upgrade. However, if you use a Mac, this is more of a do you want to upgrade to Mojave. If you are PC based, you may want to skip this version unless, like me, there are features that will help your workflow. However, it is not that simple for a lot of people. The added benefits of better masking is also great for the way I work. The plugin support for JPEG mini and intelligent copy paste features will save me enough time to easily justify it. I love that you can purchase Capture One outright, but it does feel like they are slowly creeping towards the subscription model like everybody else. Whilst I understand it from a business point of view, it does feel like, as a Mac user, you are forced to upgrade every year. Obviously if you pay monthly this isn’t a big problem, but if you own the software outright, the upgrade price of £150 (US$195) feels a little steep just to use the latest version of an OS. This means that if you want to use Capture One with OsX Mojave, you need to upgrade to version 12. With the release of version 12, support for version 11 has now ended. Mac OSX Mojave supportĪs a Mac user, this is my biggest pet peeve with Capture One. In all seriousness though, this is awesome for all you Fuji Owners. Now if only I can get DPS to fund the rental of a a Medium Format Fuji, I can do an in depth test for you all (editor’s note: I wouldn’t mind one myself). This means you can add the FujiFilm preset onto your images and use this as a starting point in your editing. I don’t currently shoot Fuji (I do lust over their Medium Format Cameras) but for those that do, Capture One have now developed (alongside FujiFilm) the different Film simulations available in their cameras. At launch the plugins are limited, but this will grow and become a great time saver for many users.
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